Ebook Six Drawing Lessons (The Charles Eliot Norton Lectures), by William Kentridge
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Six Drawing Lessons (The Charles Eliot Norton Lectures), by William Kentridge
Ebook Six Drawing Lessons (The Charles Eliot Norton Lectures), by William Kentridge
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Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons is the most comprehensive collection available of Kentridge’s thoughts on art, art-making, and the studio.
Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. This is the real meaning of “drawing lessons.â€
Incorporating elements of graphic design and ranging freely from discussions of Plato’s cave to the Enlightenment’s role in colonial oppression to the depiction of animals in art, Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms―and deceptions―through which we construct meaning in the world.
Product details
Series: The Charles Eliot Norton Lectures (Book 55)
Hardcover: 208 pages
Publisher: Harvard University Press; y First printing edition (September 1, 2014)
Language: English
ISBN-10: 0674365801
ISBN-13: 978-0674365803
Product Dimensions:
5.8 x 1 x 9.5 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#383,545 in Books (See Top 100 in Books)
Based on this South African artist's extraordinary Norton Lectures, these essays give an astonishing glimpse into Kentridge's work as well as into the process of art-making more generally.
Delivered as promised, no complaints. The book itself is long on his inner musings, sometimes found myself slogging through it, but still, interesting. He's a master animator and artist, no question.
Simply one of the great artists working today. Old school, New school. Thank You WK.
Highly recommended. One of the best works of William Kentridge. It explains the way his artistic mind works. A good companion for the videos of the same name.
nice book
This is a beautiful book in feel and content.
nice
Not drawing lessons in the technical term, these lessons draw together the processes used by the creative mind to integrate past and present, political and personal, the linear and the intuitive, the meta and the concrete. This series of six lectures that Kentridge delivered at Harvard University address the thought processes of art in a form that is *not* an art process- except he makes it so. Each chapter has a theme, yet recurring themes tie these ideas together.It contains biographical elements, but the anecdotes about aesthetic, visual and philosophical are especially vivid and illuminating. The section that uses aperture as a metaphor to understand how each person acts as a focal point for collection and redistribution is especially well done. His interpretation of Plato's cave reveals and inverts the intended political and aesthetic uses of the parable; paired with a fearless parody of Plato's dialogues.I have read this book over three times. Each time I found some new subtle insight that I hadn't noticed before. My copy has charcoal fingerprints on it because I found it ... not inspiring exactly, but incendiary. It reinforces the intellectual power that art delivers viscerally, and how important it is to not approach art as one does any other academic discipline. Treat it as an educated, intellectually fertilized powerhouse, working on its own time, in its own way.
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